On October 31, 1512, the eve of All Saints’ Day, Pope Julius II unveiled what would become one of the world’s most iconic artistic achievements — the ceiling of the Sistine Chapel. In a formal gathering of cardinals, Michelangelo’s frescoes were then revealed to the public.
Today, 512 years later, the Sistine Chapel remains a monumental masterpiece, drawing millions who come to marvel at Michelangelo’s sweeping vision of the history of salvation.
Pope Julius II, known as “The Warrior Pope” for his political tenacity and frequent forays into battle, defied his reputation by commissioning an artwork that would forever influence religious art and culture. He personally recruited Michelangelo, known primarily at the time for his sculptures, to undertake the daunting task of painting the Sistine ceiling.
Although Michelangelo hesitated (initially declining the Pope’s offer), he eventually took on the commission, transforming the chapel’s ceiling into a panorama of vivid biblical stories and theological and anthropological symbolism. It took him four intense years.
Working high atop scaffolding and often lying on his back, Michelangelo painted more than 300 figures on the chapel’s ceiling, including the iconic “Creation of Adam,” in which the fingers of God and Adam nearly touch – a tense symbol of the often fragile relationship of man and God.
It took him from 1508 to 1512 to complete the frescoes – an extraordinary feat given the physical strain and the technical challenges of working on such a scale. The artist’s compensation was substantial: Michelangelo reportedly earned about 3,000 ducats, a sum that could buy a large estate in the early 16th century.
Despite constant personal and professional clashes with Pope Julius II, Michelangelo’s work surpassed expectations, capturing human emotion and divine grace in a way that resonates through the ages. The scenes, from the chaotic Separation of Light from Darkness to the serene Creation of Eve, show Michelangelo’s innovative style and his struggle to portray humanity’s fraught yet constitutive relationship with the divine.
All Saints’ Day thus also commemorates Michelangelo’s timeless artistry, honoring the historical and cultural continuity that the Sistine Chapel represents, its frescoes still sparking awe and reflection in a space that connects the past with the present, faith with creativity, and the human spirit with the eternal.
(The Feast of All Saints on November 1 had been made universal centuries before Michelangelo’s work, in 837 by Pope Gregory IV.)
And today we celebrate...